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zero = abundance
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Title Chapter 2

Back to Chapter 1: Power of zero

One of the most commonly seen “zero” concepts in Zen-influenced art and design is subtraction. There is a Japanese phrase, “aesthetics of subtraction”, which describes an approach that lets beauty emerge by reducing elements rather than adding new ones. Many traditional Japanese arts apply subtraction as a powerful method to highlight beauty – especially natural beauty. So we start our journey for zero with a subtraction experiment.

Focus on your VISION.

You see a basket of beautiful, colorful and abundant flowers.  Looking at them gives you pleasure.

Now subtract: 

the number of flowers,

the number of colors,

even the number of species.

What has happened to your vision?

After subtraction, there is a lot less that your eyes can physically capture. Did you feel that this resulted in a lower stimulus to your vision?

Did abundance disappear?

Or did you feel the opposite? Did you feel as if your vision and mind were suddenly awoken because of the “less-ness,” working hard trying to read and feel what is presented by the “less-ness?”

This technique is called “Ikebana,” a Japanese traditional flower arrangement method established in the Middle Ages by a Zen priest.

Ikebana’s primary objective is to capture the power of plants and trees that grow towards the sun, the source of energy. It also appreciates the adaptability of plants to the surrounding environment: they grow straight, hang down, bend, coil, lean, go underground, become supple and flexible….in order to adjust to what nature provides to them and flourish.

But why is it necessary to reduce the number of flowers to appreciate the natural beauty of plants? The best way would seem to gather as many flowers as you can in your OWN hands. (Doesn’t that mean that you literally own the beauty?)

How does the “aesthetics of subtraction” help Ikebana to celebrate the power of nature and let boundless beauty emerge?

Next: Chapter 2-2 Ikebana
Back to Chapter 1 Power of zero
November 30, 2017/by [email protected]

Chapter 2: Abundance by subtraction

November 27, 2017/by [email protected]

Chapter 2-2: Ikebana – the art of subtraction

November 26, 2017/by [email protected]

Chapter 2-3: Haiku – the beauty of worlds’ shortest poem

November 25, 2017/by [email protected]

Chapter 2-4: Effect of subtraction on your satisfaction

November 23, 2017/by [email protected]

Chapter 2-5: Is sushi cuisine of subtraction?

November 15, 2017/by [email protected]

Chapter 2-6: What is deliciousness by the way?

November 6, 2017/by [email protected]

Chapter 2-7: Activate your taste buds by subtraction – Plum Organics

November 5, 2017/by [email protected]

Chapter 2-8: Sparking joy by subtracion – decluttering and minimalists

Zero = abundance is your online resource to re-define “happiness” by exploring the potential of “less is more” by leveraging Japanese Zen aesthetics.

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  • Zero Home
    ▼
    • About this site
    • Zero (kuu): the core tenet of Zen Buddhism
    • Contact Us
  • Zen minimalism
    ▼
    • What is Zen?
    • Zen art: aesthetics of ultimate minimalism
      ▼
      • Ikebana (Japanese flower arrangement): Define ultimate essentials by subtraction
      • Kare-sansui (Japanese Zen rock garden): ultimate beauty of absence
      • Bonsai: condensation of nature for your palm
    • Japanese aesthetics
    • The story of “zero” – the Zen minimalism
      ▼
      • Chapter 1: Power of Zero
      • Chapter 2: Abundance by subtraction
      • Chapter 3: Abundance by condensation
      • Chapter 4: Abundance by absence
  • Minimalist
    ▼
    • Minimalism and happiness
    • Minimalist and design
    • MUJI – a brand that helps you design your own happiness
  • The “Less is more” Economy
    ▼
    • CH1: History of “Less is more”
    • CH2: Current Status of “More”
    • CH3: Efficiency or Happiness?
    • CH4: The “Less is more” Design
    • CH5: Stories of “Less is more” Economy
  • Design and Architecture
    ▼
    • MUJI – a brand that helps you design your own happiness
    • Rural is the new black: Toyo Ito Omishima Project
    • Kengo Kuma Exhibition: a LAB for materials
    • Tadao Ando: Endeavors at The National Art Center, Tokyo
    • The MOMAT Exhibition: The Japanese House – Architecture and Life after 1945 –
    • In-depth report: “Projects in Progress” by Shigeru Ban
    • House Vision 2016
    • Dwell on Design Los Angeles 2017
    • Peculiar perspective of sustainable architecture
  • Search
  • Menu
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