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Back to Chapter 1-4: Penguins at the Asahiyama Zoo

Although they must be appreciative of the safe environment and reliable food supply, the penguins in a traditional zoo setting may be bored because there are few activities that require the natural abilities they’ve developed to survive in the wild. Remember, in the wild these animals are highly trained creatures capable of running, flying, swimming, attacking, hunting, hiding, patrolling, investigating and so forth. They are like competitive athletes who exercise for long hours of the day. They can perform a wide variety of actions that require sensory, physical and cognitive strength and concentration.

But their potential has no outlet in a traditional zoo setting.

When the penguins were freed during the “Penguin Walk,” they suddenly became engaged in the activities that they were good at.  When they are engaged, they look excited and happy. And that makes visitors excited and happy.

Figure penugin walk

Conceptual State of the Penguins during the “Penguin Walk”

Based on what we saw in the animals, we can establish a hypothesis that brings us closer to demystifying the relationship between emptiness and happiness.

At the beginning of Chapter 1, we assumed that happiness is a result of two inversely correlated factors, pain and pleasure. We feel more satisfaction when pain is reduced and pleasure is gained. And we further assumed that the less pain and more pleasure we have, the happier we feel. More pleasure is always better.

But this assumption cannot explain what happened to the penguins at the Asahiyama Zoo. They looked more excited and happier when their food was placed further away, and they had to walk all the way to get it. In addition, they didn’t mind at all being unleashed and released into a less protected environment. Apparently, the amount of pain and pleasure is not the only factor that determines the amount of happiness we feel. There is another critical factor, which is the level of arousal.

Figure ZA hypothesis

Hypothetical interaction of External Stimulus, Satisfaction and Arousal

Contrary to our assumptions that the amount of pleasure/pain is somewhat proportionally correlated to the level of happiness we feel (top figure) – we feel happier when we have more pleasure and less pain –  the level of satisfaction can only be maximized when the amount of external stimulus is aligned with our optimal arousal level (bottom figure). We feel true happiness when we receive an adequate amount of pleasure or pain, which would let our cognitive condition stay at an optimal point: not too bored, not too stressed.

This is the hypothesis we will be using throughout this website in order to understand the relationship between emptiness and happiness.

Next: Intro to "zero" - the key to profound happiness
Back to the top of Chapter 1: Power of zero
November 28, 2017/by [email protected]

Chapter 1: Power of Zero

November 27, 2017/by [email protected]

Chapter 1-2: Full because it’s empty

November 26, 2017/by [email protected]

Chapter 1-3: What is satisfaction?

November 25, 2017/by [email protected]

Chapter 1-4: Penguins at the Asahiyama Zoo

November 24, 2017/by [email protected]

Chapter 1-5: Hypothesis to explain happiness

November 23, 2017/by [email protected]

Chapter 1-6: intro to “zero” – the key to profound happiness

November 22, 2017/by [email protected]

Chapter 1-7: Discovery of zero = abundance

November 21, 2017/by [email protected]

Chapter 1-8: Nagata farming method and the power of zero

November 9, 2017/by [email protected]

Chapter 1-9: Nagata farming method and power of zero (2)

November 5, 2017/by [email protected]

Chapter 1-10: Zazen – empty your body and mind for mind-FULL-ness

Zero = abundance is your online resource to re-define “happiness” by exploring the potential of “less is more” by leveraging Japanese Zen aesthetics.

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  • Zero Home
    ▼
    • About this site
    • Zero (kuu): the core tenet of Zen Buddhism
    • Contact Us
  • Zen minimalism
    ▼
    • What is Zen?
    • Zen art: aesthetics of ultimate minimalism
      ▼
      • Ikebana (Japanese flower arrangement): Define ultimate essentials by subtraction
      • Kare-sansui (Japanese Zen rock garden): ultimate beauty of absence
      • Bonsai: condensation of nature for your palm
    • Japanese aesthetics
    • The story of “zero” – the Zen minimalism
      ▼
      • Chapter 1: Power of Zero
      • Chapter 2: Abundance by subtraction
      • Chapter 3: Abundance by condensation
      • Chapter 4: Abundance by absence
  • Minimalist
    ▼
    • Minimalism and happiness
    • Minimalist and design
    • MUJI – a brand that helps you design your own happiness
  • The “Less is more” Economy
    ▼
    • CH1: History of “Less is more”
    • CH2: Current Status of “More”
    • CH3: Efficiency or Happiness?
    • CH4: The “Less is more” Design
    • CH5: Stories of “Less is more” Economy
  • Design and Architecture
    ▼
    • MUJI – a brand that helps you design your own happiness
    • Rural is the new black: Toyo Ito Omishima Project
    • Kengo Kuma Exhibition: a LAB for materials
    • Tadao Ando: Endeavors at The National Art Center, Tokyo
    • The MOMAT Exhibition: The Japanese House – Architecture and Life after 1945 –
    • In-depth report: “Projects in Progress” by Shigeru Ban
    • House Vision 2016
    • Dwell on Design Los Angeles 2017
    • Peculiar perspective of sustainable architecture
  • Search
  • Menu
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