Anonymous is beautiful: “The Profiles of Design” by Naoto Fukasawa

Naoto Fukasawa’s style is very unique: it talks a lot without uttering any words. His sleek, minimalist and quiet design makes you feel like it’s almost dissolving into the surroundings. However, while his products blend with the environment, their beauty and charm stands out silently, yet powerfully. There is something very magnetic and engaging in his work.

Zen design, minimal design, “less is more,” Japanese traditional design and Zero explained


Engawa, the narrow wooden strips attached around the periphery of a house has been an indispensable part of the traditional Japanese house, functioning as a sun porch, a workshop, a venue for socializing and a buffer to shield the house from harsh weather. Learn more about its various faces and versatile applications.

Tanada Terrace Office: MUJI x Atelier Bow-Wow House Vision 2016

MUJI’s Tanada Terrace Office was developed as an extended office installed in a rural area in order to explore a flexible and organic relationship between urban workers and rural farmers. MUJI employees would work at Tanada Office installed in the outskirt of Tokyo when local farmers need extra hands. Thanks to the technology, we only need a PC and wi-fi connection to perform work.

Rental Space Tower by Sou Fujimoto: House Vision 2016

Architect Sou Fujimoto is a master of “ambiguity.” With Rental Space Tower, he maximizes the joy of sharing by blurring the boundaries of private ownership.

Hiragana-No Spiral House: Yuko Nagayama x Panasonic

This summarizes the major aspect of what modern architecture has been attempting to achieve: stability and security. “But I am increasingly fascinated by a house made of straw,” says architect Yuko Nagayama, who designed HIRAGANA-NO SPIRAL HOUSE, with Panasonic.

Zero and Architecture



It is inevitable that we must review architecture to pursue a deep-dive into “Zero,” even if the connection may not look so obvious.  Therefore we will start “Zero and Technology” from the point of view of architecture.

By definition, “architecture” means 1) the art or practice of designing and constructing buildings, and 2) the complex or carefully designed structure of something.

But I am not just talking about green buildings, sustainable development, or comparing structural designs of skyscrapers in NYC and traditional Japanese tea ceremony houses.  Implications of “architecture” are much more profound; they reveal something fundamental and principal about humans.

Architecture is the manifestation of the nature-human relationship, from a humans’ perspective.  It is our manifesto, or answer from humans to nature on how the interaction between the two can be, and should be. It is not a coincidence that the most familiar architecture of all, a house, covers every aspect of Maslow’s hierarchy of needs – from physiological, safety, love/belonging, self-esteem to self-actualization.  Architecture is the backbone of our civilization.

In Chapter 3: Abundance by Condensation, I stated that “humans’ history is also a history of inventions of things that shield us from the threat of nature, and things that increase our productivity leveraging natural resources.”  Here, the term “things” can be replaced by “architecture.”  Architecture can represent any system humans developed to put in-between nature and us, in a hope to change/improve the balance of power between the two.  And the expectation has been that, improvements of the power balance would result in less pain/suffering and more pleasure. Humans believed that it would increase satisfaction and happiness.


Up until the Middle Ages, humans had very few options to alter the power balance against nature; humans’ physical capacities were far from overcoming various threats posed by nature. Humans would take advantage of natural caves, make simple tents or huts as shelters, but those shelters weren’t very protective.  Knowing physical shields were vulnerable and ineffective, humans in those days might have relied heavily on intangible architecture such as myths, animisms, magic and/or superstitions to face the overwhelming power of nature.  Those systems are intangible, but still meet the definition of architecture because they are a “complex or carefully designed structure.”

large-figure-n-h-pre-maConceptual nature-human relationship pre-Middle Age: humans’ architecture is vulnerable.

Over time, humans accumulated knowledge and improved intangible architecture, which also made them capable of developing stable and complex physical architecture.  More structured religions would take over animism or myths, as intangible architecture such as logic or language would advance.  They would be accompanied by magnificent churches that would physically represent humans’ desperate hope to fill the mystical gap, or imbalance of power, between nature and humans. 

Image: The Parthenon restored, 12 November 2005
By Barcex (Self-published work by Barcex) [CC BY-SA 2.5 (, GFDL ( or CC-BY-SA-3.0 (], via Wikimedia Commons

If churches are one of the most symbolic outputs of architecture in human history that represent our cognitive efforts, then agricultural methods can be considered another symbolic “architecture” (they involve carefully altering how the land is structured and used) humans developed to increase productivity, leveraging natural resources. 

Book of the Dead, spell 110: Fields of Iaru. Scene from tomb of Ramses III. (KV11)
Date before 1842
By Jollois, Devilliers, Monsaldy, Cally ( [Public domain], via Wikimedia Commons


Post Middle Age is the era we know very well.  If you remember major landmarks such as the Renaissance, the Industrial Revolution, the two world wars and the IT revolution, it’s obvious that it’s been the era of science and technology.  The ever-accelerating technology brought us a mesmerizing pace and scale of globalization, economic development and population growth over the last few hundred years.  Various data shows slow growth for thousands and thousands of years, and then an abrupt exponential growth after the Middle Ages.  Intellectual architecture, called science and technology, literally altered the properties, characteristics and interactions of Earth and humans, both physically and conceptually.

population_curve-svg“World human population (est.) 10,000 BC–2000 AD” By El T [Public domain], via Wikimedia Commons.

What triggered the abrupt exponential growth after the Middle Ages?

In Pre-Middle Age, all architecture had to conform to the limit of humans’ physical/cognitive capabilities.  Humans WERE the actual vehicles/components for all the architecture. Improvements could only be incremental because we couldn’t become a cyborg or a robot.  Our eyes were telescopes to observe the vast universe.  Our sense of direction was a compass to sail across the oceans and, of course, our bodies were the motor engines for boats.

In Post-Middle Age, humans succeeded in creating architecture completely EXTERNAL to humans’ physical/cognitive capabilities.  Most architecture we use today, such as buildings, traffic systems, manufacturing processes or internet works on its own, regardless of the powerless nature of our bodies.  In the post-Middle Age era, an increasing number of tasks are carried out by things that are detached from our body – whether it’s burning coal to extract energy, changing the chemical property of metal to create something super hard, or manipulating molecules to alter a species’ fate.  You don’t have to have 20/20 eyesight and a lot of patience to keep observing the sky to become an astrologist. You don’t have to absorb the theory of hydrodynamics by making and sailing hand-made canoes time and time again to travel to Hawaii.  Those painstaking tasks have been detached from our abilities and outsourced to external elements, and often times we don’t even recognize or acknowledge what they are.  

large-figure-n-h-post-maConceptual nature-human relationship after the Middle Ages: Human created architecture substantially stronger than humans. 

It is important to remember this crucial moment of decoupling – decoupling of architecture from humans’ capabilities.  Although it hasn’t drawn much attention, this drastic change must have altered how humans think and behave; and most importantly in this project, how humans would recognize satisfaction and happiness.

Yoshihiko Amino, an accomplished Japanese historian who shed light on many aspects of peoples’ lives in the Middle Ages wrote:

To certain extent, we can guesstimate how peoples’ lives were in and after the 15th century based on our own experiences and knowledge.  In a bigger picture, we are on the same trajectory.  However, that trajectory does not work for people in and before the13th century.  Those people lived outside our norm.  We will easily misunderstand them if we carelessly apply our way of interpreting things.  Clearly, humans have experienced fundamental transformation in the 14th century.  (Translation by the author. 「日本の歴史を読み直す」 網野義彦 筑摩書房 2000)

Amino’s statement supports the assumption that life before and after this decisive moment of decoupling is completely different.

The Middle Age is a critical landmark for this project primarily because that’s when many Zen-inspired Zero cultures were established. But it wasn’t a coincidence that they emerged in the Middle Ages:  it had to happen at this critical juncture, where man-powered architecture saw its culmination and started to be replaced by non man-powered technology-driven architecture.

We will start this Volume, Zero and Technology, by looking at the forefront of architecture. How far have we come in leveraging technology-driven architecture?  How has it changed the way we live and feel happiness?


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