MUJI entered the home building business in 2004 (only in Japan) with the model 木の家 (Ki no Ie, Wood House) to provide a simple, universal, compact yet highly editable platform that is meant to last for decades. It added its forth product 陽の家 (Yō no Ie, Sun House) in 2019, marking its 15th year. Find more about MUJI house.
Many people think that Japanese architecture is uniquely sustainable and in harmony with nature, and has a new potential to become an alternative to modern-era architecture. Is it true? The key is “aesthetics.” Unique perspectives on naturalism by Kengo Kuma, Toyo Ito, Sou Fujimoto, Tadao Ando.
The exhibition “Tadao Ando: Endeavors” held at the National Art Center, Tokyo in 2017 was a comprehensive compilation of Ando’s energetic work that stretches over 50 years, including the replica of the “Church of the Light,” the installation of the Naoshima Project, the Row House of Sumiyoshi, Punta della Dogana and the Shanghai Poly Grand Theatre.
大三島 憩の家 (Omishima Ikoi-no-Ie) is one of the few visitor accommodations in beautiful Omishima Island in Seto Naikai, Western Japan. Architect Toyo Ito is heavily involved in the revitalization activities in Omishima, and Ikoi-no-Ie is one of the flagship projects that renovated old elementary school.
Sou Fujimoto designed his own “Library of Babel” at the Musashino Art University. It is the architecture of awe – a mesmerizing world of duality materialized by a spiral forest that consists of books and the absence of books (empty bookcases).