Kuma’s book, “Small Architecture,” is full of inspiration that questions the myth of modern architecture, which has become excessively big, hard and alienating. He advocates small architecture as an alternative, due to its boundless potential.
The tiny house was already a “choice” for some 1,000 years ago. In medieval Japan, people called their version of the tiny house 草庵 (so-an), “thatched hut” away from home. Practitioners of Buddhism, artists and/or wanderers created the “tiny house movement” and created so-an as a base for freer, ideal life.
In the art of bonsai, a single tree is supposed to represent the condensed essence of the vast nature. There are five major types of bonsai: pines and oaks (evergreen), other plants (deciduous), flowers, fruits and grass. Find out more.
MUJI’s tiny porcelain toothbrush stand is one of MUJI’s most popular items. Customers buy them in bulk, often assortment of different colors, and use them for various purposes, not just as a toothbrush stand. Not only was the product well received, it unleashed users’ creativity.
“Tai-an” is the ultimate small tea hut, designed by the legendary tea master Sen no Rikyu. According to architect Kengo Kuma: “You won’t understand what Tai-an is all about until you actually crawl into this small hut and experience the very moment when the building, which is almost as small as your body, starts dissolving and enveloping your body softly and lightly, as if it were your clothes.”
We visited MUJI’s model house in Kanagawa, Japan. The model, the “Wood House,” is a “tiny house” of about 1,000 square feet that delivers edit-ability and flexibility you could never have expected in other homes. The secret? Efficient insulation and no walls that would otherwise have limited your option to leverage each corner of the space. Find out how it works.